Showing posts with label favorite. Show all posts
Showing posts with label favorite. Show all posts

The Science Behind New Pepsi Logo


"Establishment of a gravitational pull to shift from a “transactional” experience to an “invitational” expression."

On my knees marveling in awe at the Pepsi brand document (pdf, back-up) attributed to Arnell Group. Genius, spoof or not (and I hear not), and entirely worth the $1 million and five-month wait.





-- source, via

Update [Feb 11 '09] -- This video posted a few months ago on YouTube references some of the geometry stuff from the document:

Road as Medium, Plays Back Music for Honda


(image: gigdoggy)

When we run out of space for billboards on our roads' sides, we'll embed jingles into the pavement.

GigDoggy: "A Japanese engineer by the name of Shizuo Shinoda was the first to come up with the brilliant idea of transforming roads into a playback medium. The system works by cutting thousands of little grooves in the asphalt that produce a sound when a vehicle drives over them. The grooves are a few millimeters deep and 6 to 12 millimeters wide, and the closer you bring them together the higher the pitch will be when driven over. Production cost is about $20 000. Mr Shinoda got the idea by driving his car over markings a bulldozer had previously scraped off a street and realized he was generating a series a tones."

Video below:  music roads in Japan.



From WSJ (thank you, Robert):  the making-of video of the Civic Musical Road in Lancaster, CA that played an overture from William Tell until nearby residents complained. It is now being rebuilt elsewhere.


Bookmarkable Advertising

Last week's news about Rolling Stone and Men's Health running promos where readers are invited to snap images of ads and send them in reminded me of a draft that I've been kicking around for a few months about bookmarkable advertising. It's not finished or polished but, I hope, useful for something.

Also, between now and when I had first started writing this, I heard about a "grabbable" banner format offered by one of the large networks. I couldn't find any references or samples, but if you know something, please drop me a line.

Oh, and I'm on vacation this week away from all things broadband so this blog is on autopilot.


People bookmark ads. They circle ads with red markers, cut them out, paste them on the fridge, carry them inside wallets, give ads away, put ads on the walls. Given the opportunity and a good reason, people archive, manage and retrieve ads. Naturally, it is in advertisers' best interests to encourage this behavior because bookmarking gives the ad another chance to do its job, which is why we often see the dotted "cut here" lines around ads.



The "dotted line and scissors" bookmarking/clipping metaphor has been extended online (source).


As a theoretical side note, "bookmarking" is used loosely here and refers to any activity of storing an ad for future reference as close to its original form as possible (writing information down doesn't count). Some activities are physical (clipping, putting away, sorting, retrieving), others are also mental (remembering where to look, creating an arrangement system, evaluating).


WHAT ADS GET BOOKMARKED?

In order to be bookmarked, an ad needs to satisfy two conditions:

1. It needs to carry a promise of some future value. Coupons are an obvious example of an ad type that gets bookmarked often. Look at how people manage their coupon collections and you will find that the complexity of some systems is as mind-boggling as Yu-Gi-Oh. Which is why there are coupon organizers for sale (do they offer coupons for coupon organizers?).

The value doesn't have to be monetary, however; it can also be informational or social. For example, a classified ad for a plumber whose services you know you'll need when you move in two months is more likely to be saved than an ad for a wedding dress you see a week after the event.

2. It needs to be easy to bookmark.

The problem with advertising on the web is that while the digital medium itself provides almost unlimited mechanisms for archiving, manipulating and retrieving the information, most online ads have all the fleeting properties of a TV commercial.

Let's look at other media.


BOOKMARKING OFFLINE

Print ads
are bookmarked more than any other type in part because print in general is easy to archive. You open a newspaper, see an ad you like, and you can either put the entire issue away, tear the page out, or cut out one particular ad. Print is also easy to annotate -- you just write on it.

Magazine ads are bookmarked too, although often for a different reason -- they are cheap and pretty dorm room decorations.



Magazine ads are bookmarked and used as wall decorations. See annotations to the original image on Flickr.


Billboards and TV ads
are usually bookmarked through a secondary medium: billboards are photographed, TV commercials are DVRed. Some are saved for their social value (look what a cool billboard I have found); other purposes might have nothing to do with the ad itself and are just part of the scenery. (Billboards can also be bookmarked with cell-phones if they sport an advanced bar code.)


Some outdoor ads are designed to be bookmarked.

Other offline media are even harder to bookmark. External devices have been invented for bookmarking radio songs (and many have flopped); you don't hear a lot about people bookmarking radio ads. Locations can be bookmarked through some kind of mechanism that involves a cell phone, such as mobile post-its by Siemens.

Generally, the more bookmarking options for content a particular medium provides, the easier it is to save advertising messages. Not so online.


THE WEB

Historically, the web medium has offered multiple ways of easy content archival, from copy/pasting to complex social bookmarking tools. Online ads, however, are not trivial to bookmark at all. Not only are they largely impossible to store for any extended period of time, but they are also difficult to go back to within the same user session. In 2003, Jakob Nielsen wrote:

Many a time we've been working on a site and noticed an interesting, relevant advertisement. This typically happens in the dead time between clicking a link to follow some item in depth and getting a refreshed page. So, we make a mental note to return and follow up on the ad. Oops, we can't. When we go back, there is a different advertisement, breaking one of the oldest principles of interaction design: stability.

Technically, there are ways to save an online ad. You can make a screenshot of the entire page and then cut out the relevant parts, or you can save the page on your hard drive, but I haven't met many people collecting online ads this way so that they can reference their sales message at a later date.

How to save an individual ad depends on the ad's type and your tech savvy.

Sites that compile online coupons usually offer some way to save and group them within the site itself. These coupons are also designed to be be printed out. I don't think I've ever seen a coupon-type ad on a third-party site that could be clipped from the site itself.

Image ads can be saved as regular images but will lose any link information, and the context they provide is often insufficient for the ad to be used effectively at a later date.

Flash ads, including video, can be downloaded using browser plug-ins with the link information retained, but these tools are not widespread.

Text link units are not really ads but rather pointers to ads.




Finally, text ads can be archived, arranged and retrieved with third-party tools such as del.icio.us. This method presents a different problem -- that of click fraud. Someone can easily collect a dozen of links from AdSense ads on this site and click AdLab (and perhaps the advertisers) out of this particular business. Also, after the links expire, the bookmarks will not be pointing anywhere because the ads are not archived.


WHAT IS TO BE DONE?

Advertisers could equip their ad units with a clipping mechanism -- a small scissor icon that, when clicked, would produce a printer-friendly stand-alone version of the ad with extended information for future reference.

Online ad networks could offer a repository of all offers they serve and a link that says "view more offers from this vendor" or "view similar offers".

An ad repository could be offered by ad filtering services such as AdBlock Plus, which may work out well for all parties. (See? Ad filters may turn out to be a good thing.)

... to be continued

Abercrombie Behind Obama


Jeff Haynes / Reuters, USA Today

All these people in A&F behind Obama - not a product placement.

Which brings up an old question: what's the effect of news photography on a brand?



"A Coke truck sits among the rubble after the collapse of the first World Trade Center Tower. Photo by Doug Kanter/AFP." (source)


Source and context unknown, please let me know the correct credit.


Editorial pictures of celebrities holding Starbucks cups amounts to millions of dollars in free advertising (CityRag, 2005, Branding Cultures).

Rethink: Shopping Bags Turn Into Kites



Shopping Kite makes shopping bags that transform into kites. It looks like the company is Dutch but has a distribution center in Utah. A lot like these cardboard boxes that turn into playhouses, these bags extend the life of the brand, imbuing it with excitement. Absolutely beautiful.

"Someone will brand the sky."

Guitar Hero from 1950s



"The Fender Chordmaster is essentially an electronic guitar tutor, which allows the user to learn the elementary chords through listening to the correct sound of them as well as viewing how the chord is played correctly on the display. The Chordmaster works by the user selecting the desired chord by turning the chord dial, and then they simply pull down the sound lever to hear the chord."
-- Museum of Lost Interactions

Friday Special: 40,000 What Jobs?

This summary is not available. Please click here to view the post.

Sim Game Teaches TV Ad Planning



TV Station Manager is an indie game of the simulation / tycoon genre that puts you in the shoes of, surprise, a TV station manager. Wonder if it can be used for training; will run it by the agency's media guys to see how accurate it is. From the game description:

"In this game, you'll take the role of a new manager, just graduated, which is appointed by an almost bankrupt TV Station, hoping that you'll be able to fix the situation and maybe even raise the TV Channel popularity.

The day starts at 5:00 pm and ends at midnight. You don't have to necessarily fill all the slots: by default the TV management will put some minor show/ads, you need to decide only the most important ones.

You'll have to choose which ads to show during a particular show. Some ads are just geared towards a generic audience, so the only important thing will be the attendance, while other ads might require a particular kind of audience, so are more difficult to put. Each ads has also a number of time to be shown, and a deadline."

Wonder if after having played this game with some success and getting the sense of the business constraints, people will be more tolerant of the real TV ads.



-- via gamesetwatch

Game Promo Uses Camera, "Ghosted" Film



It's one of those campaigns I wish I'd thought of first: a promo for a PlayStation 2 game "Forbidden Siren 2" last year in Germany during a game con. They have created branded snapshot cameras loaded with ghosts on a pre-exposed film that appeared on the printed pictures given away to visitors. More pictures at I Believe in Advertising (and so do I).