Firefox Plugin Turns Crisis Into Opportunity



In my inbox today: "Leo Burnett Lisbon created a plug-in (a device for the internet) that removes the word 'crisis' from every webpage and replaces it by the word 'opportunity'. This revolutionary digital tool is extremely easy to install, and allows people to replace the most repeated word of the year for the word 'opportunity'.

Don't know about revolutionary (here's me replacing "Twitter" with "madness" with a simple Greasemonkey script), but very cute and brilliant for how it doesn't have this "designed by committee" look.

Blogroll: Tom Himpe

I don't really have a proper blogroll (just a few sidebar links to sites of personal friends), and that made me feel like I was slacking on some important part of blogging etiquette, especially since AdLab is lucky to be on so many blogrolls of others.

This new "blogroll" tag is my solution, and I wanted to start with blogrolling Tom Himpe, the author of my two favorite coffee table ad books (Advertising is Dead and Advertising Next).

On MediaBids and the Art of Selling Ads [paid review]




The review order (via ReviewMe) for MediaBids.com, an online marketplace for ad space in print media, caught me off guard -- print is not exactly making headlines (pun!) for the growth of its ad revenue:




I am not a media buyer and my experience with tools of that trade is limited to only occasional encounters, so I asked my media buyer colleagues (special thanks to Erica and Nicole) for guidance. Here are some thoughts resulting from our conversation.

- Even without print's decline, an online marketplace for newspapers and magazines must be a tough business to run. Consider something more esoteric, like podcasting. We don't buy a lot of podcast time, don't know too many reps, and a specialized marketplace like, say, Podtrac addresses a still rare but well defined need. It is hard, on the other hand, to be more established than print. Most of the large agencies are already using well-entrenched tools such as SRDS -- expensive services, contracts for which are made on the agency level.

- In the long term, other things being equal, it becomes the question of cost. One popular buying tool charges agencies a flat 4% fee on each media buy. MediaBids claims to be free for advertisers but takes an 8.5% commission from publishers.

- Media buyers and media planners are responsible for different parts of the process and use narrowly specialized tools. Planners need access to demo data. Buyers usually work on tight schedules and need to make direct contact with reps.

- Ad selling is still more art than science. I have a favorite quote from Seth Godin, and it is this:

"There are two kinds of advertising and this leads to two kinds of ad sales. The first kind is the rational kind. This is advertising that works, if 'works' is defined as, "pay $3 and make $4." [...]
The second kind of advertising is the glamorous kind, the kind that people think of when they think of the Super Bowl or Time magazine or of profitable ads that are worth selling. These ads don't sell because they work. They sell because they are sold."

The problem with most ad marketplaces is that they sell the ads of the second kind as if they were the ads "that work" of the first kind.

- Ad buying, too, is art. A quote from a buyer: "How do I 'leverage' my client's brand with an automated tool?" Meaning, if my client historically has been avoiding print but wants to give it a try, I am likely to get a better "trial" rate for them.

- Last but not least: will automated ad exchanges with low barrier to entry make media agencies obsolete?

Burger Ad Offends Mexico



First, Americans got upset over this creative that ran in Mexico. Now, it's Mexico's turn to file a protest against an ad:  "Mexico's ambassador to Spain said Monday he has written a letter to Burger King's offices in that nation objecting to the ad (video) and asking that it be removed." The ad for BK's Texican whopper features a short wrestler dressed in a cape resembling a Mexican flag who teams up with an American cowboy twice his height.
-- full story

Earlier:
Absolut Nationalism

Thinking Laterally About Targeting

"Softcore porn franchise Girls Gone Wild is claiming record sales after one of its ubiquitous basic cable ads accidentally aired during a live telecast of the Good Friday service at the Vatican.

GGW CEO Joe Francis says he received a record spike in sales.

'We may have tapped into a whole new market,' Francis said. 'It seems that many of the same people interested in the Pope’s message are also interested in ours.'"

- THR

"Lateral thinking is about reasoning that is not immediately obvious and about ideas that may not be obtainable by using only traditional step-by-step logic." (wiki)

The Economics of YouTube

On Silicon Alley Insider: "Assuming YouTube delivers the 75 billion streams that Credit Suisse projects for 2009, and assuming YouTube manages to slot an ad for every stream (which is practically speaking, impossible, given the nature of much of their content), YouTube would have to achieve a $9.48 CPM for every video impression shown."


Earlier:
Pay-Per-View as Ad Model for YouTube
Hulu vs. YouTube

Taco Bell Sign Falls, Kills Woman


source

More on the question of how coverage of news -- in this case, tragic news -- only tangentially related to a brand influences public perception of that brand.

North Platte Bulletin (4/4/09): "A Chambers Nebraska woman was killed Friday afternoon in North Platte after a 75-foot Taco Bell sign fell on top of the pickup she and her husband were in."

Speaking of tangentially related, here's another angle on brands, news and fans (source):

Drama 2.0 Goes NSFW



I don't know what happened to everyone's favorite 2.0 contrarian Drama 2.0 Show, but it's pretty NSFW this morning.

Newspapers Learn to Linkbait

To chime in on that "Google is amoral" piece in the Guardian that shot up to the top of Techmeme today: if all newspapers master the art of linkbait like Mr. Porter, then maybe they won't have to "give its content free to the search engine in order to survive."

Man, it takes serious copywriting talent to produce a line like this: "Google is in the final analysis a parasite that creates nothing, merely offering little aggregation, lists and the ordering of information."

Is Mr. Porter a fan of Mr. Keen?

Who Draws Portraits for Wall Street Journal?



Always wanted to know who was behind those portraits that contribute so much to the style of the Wall Street Journal. Just stumbled across the (an?) answer: Randy Glass Studio.